IPLUSO 22270

History of Film, Video and Television

• ApresentaçãoPresentation

  Theoretical-practical and practical classes; viewing of audiovisual materials, reading of complementary texts, carrying out practical work, presentations in individual workspace oThis UC will provide students with essential knowledge for understanding cinema through its history, as well as the history of television and video. It is not possible to make cinema without knowing its history, without understanding the evolution of cinematographic thought and technique. The same with group television.u.
• ProgramaProgramme

  No Sound Cinema: from archaic representation to the formation of industry. Griffith and the consolidation of film / narrative language. The vanguards of the 1920s. THE SOUND CINEMA. Hollywood: studio system. Modern cinema: Italian neorealism, nouvelle vague, new cinema. Asian cinema. Contemporary cinema: alternatives to Hollywood and the film industry. THE DIGITAL CINEMA. From the crisis of classic narrative to visual effects. Viewing and analysis of features and short films. Performing film analysis exercises in the classroom. Analysis and decoding of the elements of a narrative. Semiotic analyzes and narrative structures.
• ObjectivosObjectives

  Provide the student with a set of knowledge of History and language of cinema that enables him to identify and analyze aesthetics, production styles, as well as the use of different cinematographic languages ¿¿in order to build a body of historical and practical knowledge indispensable to the progression of your learning. Reinforce the student's taste in seeing, understanding, analyzing and contextualizing all the richness and diversity of the cinematographic language.
• BibliografiaBibliography

  Ballerini, Franthiesco. História do Cinema Mundial. 1ª edição. Summus Editorial. 2020 Barata, Julio Carmo. A Re(E)volução do Vídeo no Cinema e na TV. 1ª edição. Lisboa: Edições Universitárias Lusófonas, 2014. Bazin, André. O que é o Cinema. 1ª edição. Ubu Editora. 2018 Bertetto, Paolo. Uma história do Cinema. Autores - Filmes - Correntes. Coleção Mi me sis. Texto e Grafia. 2019.   Causins, Mark. História do Cinema: Dos Clássicos Mudos ao Cinema Moderno. 1ª edição. Editora Martins Fontes 2013. Martin, Marcel. A Linguagem cinematográfica. Dinalivro. 2005  Stam, Robert. Introdução à teoria do cinema. 5ª edição. Papirus Editora. 2003 Viveiros, Paulo. A Imagem do Cinema. História, Teoria e Estética. 1º edição. Lisboa: Edições Universitárias Lusófonas, 2003      
• MetodologiaMethodology

  Also include the innovative methodologies used to support the teaching-learning process. Students often choose a feature film in advance (from among the films in their "life") and make a pitch for their classmates to get to know it.
• LínguaLanguage

  Português
• TipoType

  Semestral
• ECTS

  4
• NaturezaNature

  Mandatory
• EstágioInternship

  Não