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IPLUSO 27380

Moving Image Creation Technologies

Multimedia Art
  • ApresentaçãoPresentation
    .
  • ProgramaProgramme
    1.Fundamentals of Audiovisual Language Visual and sound elements in cinematic communication Principles of audiovisual storytelling 2.Operation of Digital Cameras Camera setup and handling Framing and movement techniques 3.Image and Sound Capture Video recording techniques Audio recording 4.Practical Application of the Camera in Fiction Scene planning and execution Simulation of audiovisual productions 5.Luminance and Chrominance Exposure control and white balance Color correction and grading 6.Electronic Image Control Adjustments for focus, ISO, shutter speed, and aperture Use of filters and lighting 7.Codec, Format, and Aspect Ratio Compression standards and image quality Adaptation for different platforms and media 8.Editing of Images in Sequence (Video) Non-linear editing and montage techniques Visual and narrative continuity 9.Introduction to Post-Production and Image Treatment Use of the software Premiere Pro, DaVinci Resolve and/or Final Cut Pro Visual effects and image correction  
  • ObjectivosObjectives
    To grasp the fundamental concepts of audiovisual terminology and apply the acquired knowledge. To obtain solid skills in handling Digital Video Cameras, including image and sound capture techniques. To develop technical image interpretation skills by controlling all digital image exposure parameters. To explore image capture techniques for coherent audiovisual narratives, understanding the meaning and symbolism of different shots and camera movements. To enhance competencies in editing images in sequence (video), using post-production tools and individual image treatment to improve the final visual quality of the product
  • BibliografiaBibliography
    Antero, J. (2009). Operações de Câmara. Lisboa, Portugal: Edições Lusófonas. Bowen, C. J., & Thompson, R. (2017). Grammar of the edit (4th ed.). London, England: Routledge. Brown, B. (2002). Cinematography: Theory and Practice - Image Making for Cinematographers, Directors, and Videographers. Boston, MA: Focal Press. Carvalho, J. (2003). Cinema e tecnologia: Pós-produção e a transformação da imagem. Edições Universitárias Lusófonas. Mascelli, J. V. (1998). The Five C's of Cinematography - Motion Picture Filming. Los Angeles, CA: Silman-James Press. Vineyard, J. (1998). Setting Up Your Shots: Successful Camera Techniques for Video and Film. Studio City, CA: Michael Wiese Productions.  
  • MetodologiaMethodology
    The methodology includes interactive, theoretical, and conceptual lectures combined with a strong practical component. Students will participate in: Interactive and expository sessions on theoretical and historical concepts. Practical sessions for image and sound capture. Editing and post-production exercises, using professional software. Development of skills in digital moving images and advanced editing tools. The evaluation is continuous, with an individual component through a written test or a written assignment and the realization of a final audiovisual product.   
  • LínguaLanguage
    Português
  • TipoType
    Semestral
  • ECTS
    4
  • NaturezaNature
    Mandatory
  • EstágioInternship
    Não