Skip to main content

IPLUSO 27381

Technologies and Sound Creation

Multimedia Art
  • ApresentaçãoPresentation
    .
  • ProgramaProgramme
     Theory: Foundations of audio for image; Introduction to audio for image; The soundtrack; The Processes: from recording to audio post-production; Introduction to production sound recording; Production and design of cinematographic sound environments; Introduction to audio post-production: editing and mixing in Pro Tools.       Practice: Exercises carried out in group to record sound indoors and outdoors; Production and design of stereophonic soundscapes; Development of intentions through recording practices; Production, editing and sound-to-picture mixes.
  • ObjectivosObjectives
    To develop and enhance students techniques, creativity and critical thinking in the production of original sound designs for image; To provide Laboratory sessions to carry out sound design exercises and critical analysis sessions on the work developed. To understand the artistic-technical process of sound for image, from recording to audio post-production; To provide vocabulary that favors communication and articulation of ideas about the soundtrack of a multimedia project; To provide students with individual skills in outlining sound development and production strategies taking into account the artistic object to be consumed; To adopt strategies and aesthetics influenced by conceptual and procedural approaches in audio post-production.  
  • BibliografiaBibliography
    Kalinak, K. (2015) Sound: Dialogue, Music and Effects [Rutgers University Press] Monaco, J. (2014) How To Read A Film [Oxford University Press, Inc.] Scott-James, K. (2018) Sound Design for Moving Image: From Concept to Realization [Bloomsbury Academic] Sonnenschein, D. (2001) Sound Design: The Expressive Power of Music Voice and Sound Effects in Cinema [Michael Wiese Productions]; Viers, R. (2008) The Sound Effects Bibble: How to Create and Record Hollywood Style Sounds Effects [Michael Wiese Productions]; Yewdall, D. L. (2012) Practical Art of Motion Picture Sound [Focal Press, 4ed.]  
  • MetodologiaMethodology
    Oral exposition includes lectures introducing fundamental concepts of audio for image, classroom discussions to consolidate ideas, and practical demonstrations of recording equipment and post¿production software. The active learning model combines short lectures with group-based practical activities, sound recording in indoor and outdoor environments, and studio sessions where students can independently experiment with recording, editing and mixing. It also includes group discussions for critical analysis of sound projects. In the project-based learning model, students develop assignments that simulate real-world situations, present progress updates regularly, and are assessed on project performance and on their ability to apply theoretical concepts to practical work. These methodologies encourage a practical, creative and critical approach to sound design, supporting the development of the skills required for the course unit.
  • LínguaLanguage
    Português
  • TipoType
    Semestral
  • ECTS
    4
  • NaturezaNature
    Mandatory
  • EstágioInternship
    Não